The aim of this survey is investigating women's social image representation in Iranian literature from 1340s to 1380s. Unlike the natural world, the social world is completely constructed. The social world is based on intersubjective conventions and ideas . From this perspective the women's image, which is shown by men writers, is always an imperfect representation. In recent decades, women have gotten an opportunity to be their full-length mirror, and they represent a full and human-like image of themselves in their novels. How do the women consider the pictures which represent their being in society? How much do they accept or refuse those pictures ? In order to find answers for these questions, five decades of contemporary literature is searched. A significant novel, which has been appreciated by critiques and has had lots of readers, is chosen from each decade. The searching is done based on discourse analysis. The questions and the specific way of doing this research needs to apply the Laclau and Mouffe discourse analysis. The findings are shown different discourse which female writers try to show women picture in society atmosphere. The findings provide some information which is classifies into different discourses like zero-discourse, protest-discourse, sympathy-discourse and discourse of superiority.