Journal of Sociology of Art and Literature

Journal of Sociology of Art and Literature

Number of Articles 275
Article View 526,590
View Per Article 1914.87
PDF Download Per Article 1629.62
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Number of Submissions 1,399
Acceptance Rate 15
Number of Reviewers 374

Journal of Sociology of Art and Literature (JSAL)

The Journal of the Sociology of Art and Literature is a biannual, open-access journal (providing free full-text access to all published articles) published by the Faculty of Social Sciences at the University of Tehran. The journal is dedicated to exploring the relationship between art, literature, and society.


The journal adheres to the ethical principles and standards of the Committee on Publication Ethics (COPE) in the review and publication of scholarly articles. All submitted manuscripts are screened using the Samim Noor plagiarism detection software to ensure their originality before undergoing a rigorous double-blind peer review by qualified and experienced reviewers. The journal welcomes and evaluates original research articles within its thematic scope.


All published articles are freely accessible to the public.

This work is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0).


According to the latest ranking of the Ministry of Science, Research and Technology of Iran (2024–2025 / 1403 SH), the Journal of the Sociology of Art and Literature has been awarded a Grade B ranking.


Journal Information

  • Place of Publication: Tehran, Iran
  • Publisher: University of Tehran
  • Disciplinary Scope: Sociological studies of art and literature
  • Journal Type: Peer-reviewed Scientific Research Journal
  • Ministry Ranking: Grade B
  • Language: Bilingual (Persian, with extended abstracts in English)
  • Publication Frequency: Biannual
  • Publication Format: Online
  • Article Processing Charge (APC): 1,150,000 IRR
  • Peer Review Process: Double-blind review by at least two reviewers
  • Plagiarism Screening: Yes (using Samim Noor)
  • Access Policy: Open Access (Free)
  • Email: jsal@ut.ac.ir

Important Notices for Authors

Publication Information

Publisher

Director-in-Charge
Editor-in-Chief
Editorial Board
International Editorial Board
Indexing Advisor
Page Designer

Frequency
Semiannual
Print ISSN
Online ISSN

Indexing and Abstracting

Keywords Cloud

  • Representation
  • Cinema
  • Iran
  • Painting
  • discourse
  • sociology
  • Novel
  • Identity
  • iranian cinema
  • Women
  • Modernity
  • Music
  • Discourse analysis
  • Art
  • Cultural Capital
  • reflection approach
  • habitus
  • critical discourse analysis
  • sociology of art
  • Pierre Bourdieu
  • Genetic Structuralism
  • field
  • distinction
  • Society
  • Iranian painting
  • National Identity
  • Narrative Analysis
  • Sociology of Literature
  • Bourdieu
  • Popular music
  • Tradition
  • Narrative
  • Culture
  • Qajar
  • Reflection
  • Conflict
  • Semiotics
  • feminist criticism
  • family
  • Miniature
  • Islamic Revolution
  • Colonialism
  • Tehran
  • Anthropology of Art
  • Play
  • Neoliberalism
  • sociology of cinema
  • city
  • Ideology
  • Consumption
  • Realism
  • social criticism
  • history
  • social context
  • Migration
  • literature
  • Islamic art
  • Roland Barthes
  • Content
  • Love
  • trajectory
  • Creativity
  • woman
  • Aesthetics
  • orientalism
  • Form
  • Independent Pole
  • postcolonial theory
  • chronotope
  • Goldmann
  • Sign
  • Dystopia
  • Social semiotics
  • Postmodernism
  • Utopia
  • symbol
  • Religious Cinema
  • television
  • ISIS
  • Lucien Goldman
  • Iranian Islamic architecture
  • cultural studies
  • Iranian contemporary painting
  • reflective approach
  • Committed Art
  • literary creation
  • phenomenology
  • capital
  • youth
  • Safavid dynasty
  • Norman Fairclough
  • Social Issues
  • time
  • Contemporary Art of Iran
  • Dominant Culture
  • Gabbeh
  • Accumulation of Artistic Behaviors
  • Modern Art
  • Popular Literature
  • reflection theory
  • Safavid art
  • active audience
  • artists
  • reception
  • Short story
  • Sadegh Hedayat
  • Dependent Pole
  • the love of art
  • Rap
  • Carnival
  • Social capital
  • Film
  • Analysis
  • Safavid
  • Otherness
  • Tudeh Party
  • Cultural consumption
  • taste
  • class
  • construction
  • carpet
  • Collective Memory
  • liquid love
  • formation
  • Shamloo
  • Rhetoric
  • Shahnameh
  • نقد
  • Values
  • Intellectuals
  • figurative
  • style
  • Rhythm
  • Text
  • Prose
  • Quran
  • reading
  • Grounded theory
  • Field Theory
  • subculture
  • Reconstruction
  • Difference
  • Nationality
  • artist
  • Empowerment
  • Context
  • Strategy
  • legitimacy
  • Image
  • Articulation
  • Role
  • Mysticism
  • Motivation
  • Sensory Experience
  • Persian Poetry
  • reader
  • social stratification
  • Legislation
  • Constitutional Revolution
  • Farabi
  • Reza Abbasi
  • self-concept
  • Social changes
  • Morality
  • Historiography
  • TEHRAN
  • participation
  • polarization
  • calligraphy
  • Sex
  • Iranian Music
  • cultural resistance
  • technology
  • state
  • Crisis
  • social status
  • semantics
  • politic
  • Capitalism
  • Qajar era
  • social fact
  • power
  • Femininity
  • Justice
  • Elements
  • Social Characteristics
  • فمنیسم
  • Scenario
  • new
  • political system
  • drama
  • Qualitative research
  • separation
  • Garden
  • Qashqai
  • Fine arts
  • Hafiz
  • Attar
  • inscription
  • citizenship