Ye Habe Ghand: Recreation of the Dialectic of Event/Everydayness in Social Life

Pages 1-23

10.22059/jsal.2017.62252

Jamal Mohamaddi

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Representation of Intellectual in the Iranian cinema

Pages 25-51

10.22059/jsal.2017.62253

ehsan aqababaee; Majid Fadaei

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Where is Felicity Land? A Discourse Semiotic Study of “Felicity Land” Directed by Maziar Miri

Pages 53-79

10.22059/jsal.2017.62254

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discourse conflict between Realism and Idealism in Iranian Contemporary Painting

Pages 81-112

10.22059/jsal.2017.62255

Mohammad Reza Moridi

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A Critique on the Farshchian’s Asre-Ashura painting

Pages 113-138

10.22059/jsal.2017.62256

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Analyzing of global culture and national identity challenges in visual communication

Pages 139-162

10.22059/jsal.2017.62257

sepideh maleki

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Sociological Aesthetic Evaluation of Women Traditional Dress in Desert Areas of Iran: a focused study on natural & cultural Geographies

Pages 163-189

10.22059/jsal.2017.62258

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first pages

• Editorial
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Enghlish Abstract

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