A
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About Elly
The Reflection of Discursive Change in Iranian Middle Class in Asghar Farhadi’s Films [Volume 9, Issue 2, 2018, Pages 47-82]
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After-revolution Iran
Religious representation in after-revolution Cinema;Relation to Social Context and Mediated Religion [Volume 9, Issue 1, 2018, Pages 1-28]
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AIDS
From Stereotype to Education [Volume 9, Issue 2, 2018, Pages 83-113]
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Analysis
The sociological survey of the Islamic Revolution poetry between 1357-1359 [Volume 9, Issue 1, 2018, Pages 159-182]
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Art and Politics
Discourses of "nationality" and their role on development of Iran modern art trends in Pahlavi era
With an emphasis on art patronage institutions as mediators [Volume 9, Issue 1, 2018, Pages 109-132]
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Asghar Farhadi
The Reflection of Discursive Change in Iranian Middle Class in Asghar Farhadi’s Films [Volume 9, Issue 2, 2018, Pages 47-82]
C
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Constitutional Revolution
Constitutional Revolution and Nationalism in Kamalalmolk's works [Volume 9, Issue 2, 2018, Pages 183-212]
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Contemporary Iranian Painting
The absent history of Iranian women painters
A sociological study of women painters from constitutional revolution till Islamic revolution [Volume 9, Issue 1, 2018, Pages 79-107]
-
Cultural-political Discourses
Discourses of "nationality" and their role on development of Iran modern art trends in Pahlavi era
With an emphasis on art patronage institutions as mediators [Volume 9, Issue 1, 2018, Pages 109-132]
D
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Degenderize
The absent history of Iranian women painters
A sociological study of women painters from constitutional revolution till Islamic revolution [Volume 9, Issue 1, 2018, Pages 79-107]
-
Discourse analysis
The Representation of Religious Cinema in Two Political-Social Periods [Volume 9, Issue 2, 2018, Pages 1-46]
-
Discourse Semiotic
The Representation of Religious Cinema in Two Political-Social Periods [Volume 9, Issue 2, 2018, Pages 1-46]
F
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Feminine
The absent history of Iranian women painters
A sociological study of women painters from constitutional revolution till Islamic revolution [Volume 9, Issue 1, 2018, Pages 79-107]
-
Firework Wednesday
The Reflection of Discursive Change in Iranian Middle Class in Asghar Farhadi’s Films [Volume 9, Issue 2, 2018, Pages 47-82]
H
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HIV
From Stereotype to Education [Volume 9, Issue 2, 2018, Pages 83-113]
-
Holly Subjectivity of Revolutionary
The Representation of Religious Cinema in Two Political-Social Periods [Volume 9, Issue 2, 2018, Pages 1-46]
I
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Ideology
Semiotic Analysis of Women Representing in Asghar Farhadi's Films. [Volume 9, Issue 1, 2018, Pages 53-77]
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Intellectuals
Constitutional Revolution and Nationalism in Kamalalmolk's works [Volume 9, Issue 2, 2018, Pages 183-212]
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Iran Modern Art
Discourses of "nationality" and their role on development of Iran modern art trends in Pahlavi era
With an emphasis on art patronage institutions as mediators [Volume 9, Issue 1, 2018, Pages 109-132]
-
Iran’s middle class
The Reflection of Discursive Change in Iranian Middle Class in Asghar Farhadi’s Films [Volume 9, Issue 2, 2018, Pages 47-82]
-
Islamic Revolution
The sociological survey of the Islamic Revolution poetry between 1357-1359 [Volume 9, Issue 1, 2018, Pages 159-182]
-
Islamic Revolution and Holly Defense Discourse
The Representation of Religious Cinema in Two Political-Social Periods [Volume 9, Issue 2, 2018, Pages 1-46]
K
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Kamalalmolk
Constitutional Revolution and Nationalism in Kamalalmolk's works [Volume 9, Issue 2, 2018, Pages 183-212]
-
Key words: sociological reading
Reading of sociological themes for Tiles of Takieh Mo’aven ol-Molk [Volume 9, Issue 2, 2018, Pages 213-252]
-
Kurdish novel
The role of Kurdish novel in deconstructing dominant historiography [Volume 9, Issue 2, 2018, Pages 115-148]
M
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Mediated Cinema
Religious representation in after-revolution Cinema;Relation to Social Context and Mediated Religion [Volume 9, Issue 1, 2018, Pages 1-28]
N
-
Nader and Simin a Separation
The Reflection of Discursive Change in Iranian Middle Class in Asghar Farhadi’s Films [Volume 9, Issue 2, 2018, Pages 47-82]
-
Nationalism
Constitutional Revolution and Nationalism in Kamalalmolk's works [Volume 9, Issue 2, 2018, Pages 183-212]
-
Nationality
Discourses of "nationality" and their role on development of Iran modern art trends in Pahlavi era
With an emphasis on art patronage institutions as mediators [Volume 9, Issue 1, 2018, Pages 109-132]
-
Norman Fairclough
The Reflection of Discursive Change in Iranian Middle Class in Asghar Farhadi’s Films [Volume 9, Issue 2, 2018, Pages 47-82]
P
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Painting
Reading of sociological themes for Tiles of Takieh Mo’aven ol-Molk [Volume 9, Issue 2, 2018, Pages 213-252]
-
Painting of Qajar era
Constitutional Revolution and Nationalism in Kamalalmolk's works [Volume 9, Issue 2, 2018, Pages 183-212]
-
Patronages of Art
Discourses of "nationality" and their role on development of Iran modern art trends in Pahlavi era
With an emphasis on art patronage institutions as mediators [Volume 9, Issue 1, 2018, Pages 109-132]
-
Peacemaker and Bound Believer Subjectivity
The Representation of Religious Cinema in Two Political-Social Periods [Volume 9, Issue 2, 2018, Pages 1-46]
-
Persian Poetry
The sociological survey of the Islamic Revolution poetry between 1357-1359 [Volume 9, Issue 1, 2018, Pages 159-182]
Q
-
Qajar era
Reading of sociological themes for Tiles of Takieh Mo’aven ol-Molk [Volume 9, Issue 2, 2018, Pages 213-252]
R
-
Reflection
From Stereotype to Education [Volume 9, Issue 2, 2018, Pages 83-113]
-
Religious Cinema
Religious representation in after-revolution Cinema;Relation to Social Context and Mediated Religion [Volume 9, Issue 1, 2018, Pages 1-28]
-
Religious Cinema
The Representation of Religious Cinema in Two Political-Social Periods [Volume 9, Issue 2, 2018, Pages 1-46]
-
Religious Representation
Religious representation in after-revolution Cinema;Relation to Social Context and Mediated Religion [Volume 9, Issue 1, 2018, Pages 1-28]
-
Representation
From Stereotype to Education [Volume 9, Issue 2, 2018, Pages 83-113]
-
Representing
Semiotic Analysis of Women Representing in Asghar Farhadi's Films. [Volume 9, Issue 1, 2018, Pages 53-77]
-
Return Discourse
The Representation of Religious Cinema in Two Political-Social Periods [Volume 9, Issue 2, 2018, Pages 1-46]
S
-
Sign
Semiotic Analysis of Women Representing in Asghar Farhadi's Films. [Volume 9, Issue 1, 2018, Pages 53-77]
-
Society
The sociological survey of the Islamic Revolution poetry between 1357-1359 [Volume 9, Issue 1, 2018, Pages 159-182]
T
-
Takieh Mo’aven ol-Molk
Reading of sociological themes for Tiles of Takieh Mo’aven ol-Molk [Volume 9, Issue 2, 2018, Pages 213-252]
-
Tehran Architecture
Recognition of the Identity of Tehran Based on the Readings of Architectural Developments from Fictional literature of Iran [Volume 9, Issue 2, 2018, Pages 150-181]
-
Totality of society
Recognition of the Identity of Tehran Based on the Readings of Architectural Developments from Fictional literature of Iran [Volume 9, Issue 2, 2018, Pages 150-181]
W
-
Women
Semiotic Analysis of Women Representing in Asghar Farhadi's Films. [Volume 9, Issue 1, 2018, Pages 53-77]
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