Religious representation in after-revolution Cinema;Relation to Social Context and Mediated Religion

Pages 1-28

10.22059/jsal.2017.237471.665523

Alireza Hosseini Pakdehi; Seyyed Reza Naghibulsadat; Mohsen Goudarzi

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Representation of family relations in Asghar Farhadi's films with the approach of pathological

Pages 29-52

10.22059/jsal.2017.212832.665416

sohila sadeghi fasaee; shiva parvaei

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Semiotic Analysis of Women Representing in Asghar Farhadi's Films.

Pages 53-77

10.22059/jsal.2017.213864.665425

azam ravadrad; Ehsan Mirzadeh Targhi

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The absent history of Iranian women painters A sociological study of women painters from constitutional revolution till Islamic revolution

Pages 79-107

10.22059/jsal.2017.221214.665454

Mehrnoosh Alimadadi; Mohammad Reza Moridi

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Discourses of "nationality" and their role on development of Iran modern art trends in Pahlavi era With an emphasis on art patronage institutions as mediators

Pages 109-132

10.22059/jsal.2017.214360.665424

Kheyzaran Esmaeilzade; Parisa Shad Ghazvini

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Historical reconstruction and characterization style in salhaye abri: lukacsian reading

Pages 133-158

10.22059/jsal.2017.236301.665518

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The sociological survey of the Islamic Revolution poetry between 1357-1359

Pages 159-182

10.22059/jsal.2017.207037.665391

hesam ziaee; ali safari

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شناسنامه و فهرست فارسی

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10.22059/jsal.2017.64577

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شناسنامه و چکیده انگلیسی

10.22059/jsal.2017.64578

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