نوع مقاله : مقاله پژوهشی
نویسنده
دانشجوی دکتری جامعه شناسی
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
The genre of the novel in connection and synthesis with contemporary times always creates a new and forward-looking world that contains the concept of movement and infinity. In such a perspective, the novel cannot be reduced to a mere reflection of the specific socio-historical conditions of a specific era, or to the service of a specific idea and mission. On the other hand, the genre of the novel and its story world is a creation of a complex and interwoven relationship of various different elements, such as: the real world as a source of representation, the world of representation of the literary work, the audience, the author, etc. in times and There are different places that can be called as the continuous of the novel. The intersection and entanglement of these elements in different time-space conditions causes its continuous reconstruction and renewal. Based on this view, we have considered the novel and especially its ending as a threshold or boundary in relation to other continuous elements, which according to how it is closed, that is: final word or speech of the story or narrator's speech and the heroes of the story about themselves and their world, the type of intersection of that story is determined in relation to its movement or static stillness. This view is based on the concepts of novel, epic, threshold, Chronotope and continuum genres from Bakhtin's point of view. Based on this, at the end of the novel " Showhar-e Ahou Khanom ", Seyedmiran's initial movement leads from the street to the Garage and back; In Savushun Yusuf is killed and eliminated as another Zari; And Khalid's movement in the novel Hamsayeh-ha starts from a closed house, continues on the street and ends in prison
کلیدواژهها [English]
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